Selected Press

2007

2006

  • BĂ©rard, Serge, “Iain Baxter&, VOX, centre de l’image contemporain,” Ciel Variable 70, January, 2006

2005

2005

1999

  • Rigby Watson, Petra, “N.E. Thing Company”, Parachute, 71, pp.45-46

1999

  • Gameau, David, “Natural Double Takes”, Border Crossings, August 1999, p.52-53

1993

  • Watson, Petra. N.E. Thing Co., U.B.C. Fine Arts Gallery, Feb. 19-Mar. 17, 1993, Review, Parachute Magazine #71, July, August, September 1993, pp.45-46

1991

  • Genereux, Linda, “Iain Baxter, Carmen Lamanna Gallery”, Artforum, 4/91, p.134

1988

  • Janofsky, Michael. “Calgary Tries a Snow Dance” The New York Times, pg. B8, Feb. 2,

1987

  • Tousley, Nancy. “Baxter’s Back”, Canadian Art Magazine, p.14

1981

  • Perry, Art. “Baxter’s Magic: its all done with Mirrors”, the Magazine section, Vancouver Province, December 13, 1981

1979

  • White, Robin. “Iain Baxter/N.E. THING CO.” View II, no. 4, Sept:2-24

1973

  • Zeemans, Joyce. “Video Activity of N.E. THING CO. LTD.” artscanada XXX, Issue 182/183, October, p.61

1972

  • Davis, Douglas. “The Magic of Raw Life - New Photograpy.” Newsweek, 24 April, 1972:46-48

1970

  • Balkind, Alvin. “Vancouver Scene and Unscene.” Art in America LVIII, no. 1, January 1970: 123-26

1970

  • Goldsmith, Barbara, “Where is the Art”, Harper’s Bazaar No. 3102, May 1970, pp. 144-147

1969

  • Lippard, Lucy R. “Iain Baxter: New Spaces.” artscanada XXVI, Issue 132/133,June, 1969:3-7

1969

  • Shirey, David L, “Impossible Art - What it is”, Art in America LVII, No. 3, May 1969, pp. 32-45

1969

  • “Trends, Art for Art’s Sake”, Time, Feb 28, 1969, pp. 46-49

1968

  • Smithson, Robert, “A Sedimentation of the Mind: Earth Projects”, ARTFORUM VII, No. 1, Sept 1968, pp. 44-50

1968

  • Fenton, Terry. “Looking at Canadian Art.” ARTFORUM VII, no. 1, September 1968, pp.55-60

1967

  • “Jolly Bagman.” Time, 1 September, 1967:4

1967

  • Malcolmson, Harry. “Sculpture in Canada.” ARTFORUM VI, no. 2, October 1967, p.40

1962

  • “One Man Show - Iain Baxter.” Art - Journal of Contemporary Art (Tokyo, Japan), 1962, pp.19-21