Christian Butterfield

Green Light

September 11 – October 9, 2021

Christian Butterfield 
Apology Flower #1, 2020
acrylic and collage on canvas
20 x 20 in.

Christian Butterfield 
Apology Flower #2, 2020
acrylic and collage on canvas
20 x 20 in.

Christian Butterfield 
Apology Flower #5, 2021
acrylic and collage on canvas
20 x 20 in.

Christian Butterfield
Apology Flower #6, 2021
acrylic and collage on canvas
48 x 48 in. 
 

Christian Butterfield
Apology Flower #7, 2021
acrylic and collage on canvas
24 x 24 in. 
 

Christian Butterfield 
Cold #1, 2019
acrylic and collage on canvas
48 x 36 in.

Christian Butterfield 
Cold #2, 2020
acrylic and collage on canvas
48 x 36 in.

Christian Butterfield 
Cold #3, 2021
acrylic and collage on canvas
48 x 36 in.

Christian Butterfield
Cold #4, 2021
acrylic and collage on canvas
48 x 36 in. (121.9 x 91.4 cm)

Christian Butterfield 
Randoms, 2019
acrylic and collage on canvas
48 x 36 in.

Christian Butterfield 
Cheeks I, 2018
acrylic and collage on canvas
60 x 48 in.

Christian Butterfield 
Cheeks II, 2018
acrylic and collage on canvas
60 x 48 in.

Christian Butterfield
Cheeks III and IV, 2019
acrylic and collage on canvas
60 x 96 in.

Christian Butterfield
Apology Flower #8 (across the bay), 2021
acrylic on linen
84 x 72 in.
 

Christian Butterfield
Toronto, July 18, 2021, 2021
acrylic on linen
60 x 90 in.

Corkin Gallery is pleased to announce Green Light, the debut solo exhibition of work by Christian Butterfield. The canvases in this presentation exemplify Butterfield’s preoccupation with painting as a medium for spatial and psychological investigation. Comprising deeply personal portraits from his Cheeks and Cold series and works from his Apology Flowers series, including two monumental new paintings, the exhibition showcases compositions that are at once representative and abstract, disordered and structured.
 

With many of his works, Butterfield starts by layering carefully selected newsprint clippings and fragments from publications, frequently sourced from the pages of Time Magazine, to create a new “canvas” upon the canvas. The composite backdrops not only serve to “timestamp” the work, but also contrast the freneticism of collage — and the relentlessness of media soundbites in today’s world — with the form and systematicity of historical portrait painting. It is at this intersection between order and disorder that Butterfield evokes and explores the psychological aspects of his relationship with a given subject, who is often a friend, family member, or current or former partner. He frequently superimposes graphic stripes over the collage as a strategy for obscuring emotional vulnerability, engaging viewers in a process of hide-and-seek whereby psychological states are both concealed and revealed.

“At a time when new interpersonal connections are few and far between, Christian has captured the innate experience of getting to know someone,” explains Jane Corkin, the gallery owner. “His unique pictorial language and strategic use of collage allows his subjects to slowly unveil themselves, inviting viewers to acquaint themselves with different emotional states.”

The two most recent paintings in the exhibition mark a departure from the collage and abstraction that characterize Butterfield’s earlier work. Anchored by the same surrealist blooms that define early works in his Apology Flowers series, these canvases exhibit a sophisticated handling of paint to experiment with light and its sources. Bulbous petals are illuminated from multiple directions, serving to disorient and destabilize perspectives in the context of an otherworldly atmosphere.

 

Largely self-taught, Christian Butterfield (b. 1995, Toronto, Canada) is an early-career artist working in his native Toronto. He was awarded a place at the AKIN Studio Program at MOCA Toronto in 2019, and has exhibited previously in group shows at Corkin Gallery. In 2020, Toronto Life featured one of Butterfield’s works, identifying it as one of “The 10 most covetable pieces at Art Toronto.”
 

 

Roundtable Discussion


Christian Butterfield, Anique Jordan, Dr. Renata Azevedo Moreira, Dr. Sarah Stanners
Saturday, September 25, 2pm

 

In conjunction with Gallery Weekend Toronto, Corkin Gallery will present a roundtable discussion with artist Christian Butterfield, artist, writer, and curator Anique Jordan, Art Gallery of Ontario Assistant Curator Dr. Renata Azevedo Moreira, and art historian and University of Toronto Adjunct Professor Dr. Sarah Stanners.

 

RSVP here