When the sun departs for a new horizon

celebrating 40 years of Corkin Gallery

September 14 – November 21, 2019

André Kertész, Stairs of Montmartre, Paris, 1925, print made 1975, gelatin silver print, 11 x 14 in.

David Urban, Portrait of Tom Thompson, 2019, oil on canvas on board, 83 3/4 x 71 3/4 in.

Brendon McNaughton, Nike, 2015, 3D print with velvet coating, 8 x 11 x 12 in. 

Sharon Switzer, Escape Velocity (flying 1), (falling 2), (falling 1), 2019, Archival pigment print on satin paper, 25 x 25 in.

Gina Rorai, Cappa Violet, 2015, oil on canvas. 10 x 8 ft.

Frank Mädler, Kleine Landschaft, 2014. ceramic and glass. 15 x 4 3/4 x 3 1/2 in.

Gina Rorai, Cappa Violet, 2015, oil on canvas, 10 x 8 ft.

Frank Mädler, Glas, series: Südwest, 2008, analogue colour print, 71 5/8 x 48 in.

Various Artists

When the sun departs for a new horizon, 2019

Installation at Corkin Gallery

 

Lick Observatory, Close-up of Crater, 1920s, gelatin silver print, 14 3/4 x 18 3/4 in.

Jota Castro, Here Comes the Rain Again, 2013, stone and butterfly, dimensions variable

Leopold Plotek, The Winners' Circle, 1990, oil on linen, 80 x 72 in.

Michelle Forsyth, Aqua Stack, 2014, sculpture, mixed media, 12 x 12 x 6 in.

Constantin Brancusi, Mlle. Pogany I, negative made between 1920 and 1935, gelatin silver print, 9 1/8 x 6 3/4 in.

David Urban, Uknown RBG, 1996/2003, oil on canvas, 60 x 48 in.

Carol Marino, Quad Tracks, part 1 and 2, 2000, gelatin silver print, 19 5/8 x 23 3/8 in. each

Sondra Meszaros, Camouflage Net #1, 2019, hand torn digital print on mulberry paper (rice), 52 1/2 x 40 1/2 in.

 

Sondra Meszaros, Camouflage Net #1, 2019, hand torn digital print on mulberry paper (rice), 52 1/2 x 40 1/2 in.

Brassai, X Offrande, series: Transmutations, 1967, gelatin silver print mounted on paper, 9 1/4 x 7 in., 15 x 11 1/4 in. paper mount

Ernest Ludwig Kirchner, Atelieraufnahme, c. 1910, gelatin silver print, 6 3/4 x 4 3/4 in.

Barbara Astman, Untitled (Dear Sandra), series: Thinking About You, 1979, ektacolour mural, 60 x 48 in., 59 1/4 x 49 in. framed

Michelle Forsyth, Red Stack, 2017, sculpture, mixed media, 18 x 18 x 6 in.

Yakov Gakkel, untitled, from the 16 epreuves series, c. 1937, gelatin silver print, 4 1/2 x 6 7/8 in.

Lori Newdick, Queer Affair, from the Heroine series,1999, fujicolor print, 31 x 41 in.

Grit Schwerdtfeger, Seebad, series: Distanz, 2004, colour print, 26 x 35 in.

Grit Schwerdtfeger, Seebad, series: Distanz, 2004, colour print, 26 x 35 in.

Grit Schwerdtfeger, Tretboote, series: Distanz, 2004, colour print, 26 x 35 in.

Barbara Astman, Untitled, series: Visual Narratives, 1978-79, six Polaroids with typed inscription, mounted on paper, 8 x 10 3/4 in., 13 3/4 x 11 in. framed

Gerhard Richter, 4.5.89, from the series: 2.5 - 7.5.89 Sechs Fotos, 1989, gelatin silver print, ed. 4/50, 13 3/4 x 20 in.

Lori Newdick, We Walk Alone, from the Heroine series, 1999, fujicolor print, 29 1/2 x 40 1/2 in.

Thaddeus Holownia, Anatomy Lesson - Moose, 2006, 100 toned gelatin silver prints each 11 x 14 in., 70 x 220 in.

Miles Gertler, Signal Structure 01, 2017, steel, paint, 12 x 48 x 35 3/4 in.

Andrés Marroquin Winkelmann, Puente.02, 2012/2014, archival inkjet print, 33 7/16 x 39 5/16 in., framed: 34 1/2 x 40 3/8 in.

Jeff Chiu, Sweeping the Tombs (mountains are gravesites), 2017, archival pigment print in artist's frame, 17 x 44 in.

Scott Massey, la Lune Perdue, 2013, daguerreotype in custom wood frame, 20 x 16 in. 

Giancarlo Scaglia, Stellar Aéreo 11 and 12, series: Stellar, 2015, ink on Japanese paper mounted on canvas, 118 1/16 x 128 5/16 in.

Elisa Julia Gilmour, Éperdument (Madly), 2016, video projection, 19:30

Barbara Astman, Constantin Brancusi, Brassaï, Jota Castro, Jeff Chiu, Michelle Forsyth, Yakov Gakkel, Miles Gertler, Elisa Julia Gilmour, Thaddeus Holownia, Ernst Ludwig Kirchner, André Kertész, Frank Mädler, Carol Marino, Andrés Marroquín, Scott Massey, Brendon McNaughton, Sondra Meszaros, Lick Observatory, Lori Newdick, Leopold Plotek, Gerhard Richter, Gina Rorai, Giancarlo Scaglia, Grit Schwerdtfeger, Sharon Switzer,
David Urban

An understanding of time and existence as cyclic has been largely studied by different cultures and reflected by Eastern and Western philosophy. The theory of the eternal return proposes that the universe, all existence and energy has been recurring, and will continue to recur an infinite number of times across infinite time or space. When the sun departs for a new horizon: celebrating 40 years of Corkin Gallery, spans the gallery’s history by bringing together works exploring cycles as an organic way to understand our existence.