Lori Newdick | Revisiting a Heroine: A Retrospective
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Lori Newdick, The Unfortunate Flesh, 1999
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Lori Newdick, The Scorpion, 1999
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Lori Newdick, We Walk Alone, 1999
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Lori Newdick, Queer Affair, 1999
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Lori Newdick, Strange Thirsts, 1999
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Lori Newdick, Women's Barracks, 1999
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Lori Newdick, Twilight Women, 1999
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Lori Newdick, One Kind of Woman, 1999
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Lori Newdick, Felonious #3, 2000
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Lori Newdick, Spinning Sorrell & Chanel #3, 2001
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Lori Newdick, untitled, exit, 2004-2005
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Lori Newdick, Bully, 2001
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Lori Newdick, Super Suspending Rogue, 2001
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Lori Newdick, The Stimulator, 2001
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Lori Newdick, Tiny Miss Crazy Crawler, 2001
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Lori Newdick, Lady Lipstick, 2001
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Lori Newdick, Untitled, from Moving Parts Series, 1998
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Lori Newdick, Untitled, 1998
Corkin Gallery presents a retrospective of the work of artist Lori Newdick. Her work explores queer identities in visual culture.
The exhibition includes works from the series: Heroine, 1999; Felonious, 2000; Lure, 2001; Lucky, 2004-2005.
Heroine explores the struggle of inhabiting an identity not represented in mainstream culture. Newdick examines how predominant, gendered stereotypes operate to marginalize those living outside normative modes of gender and sexuality. The work consists of three photographs that the artist made, printed as one colour print, pre-digital. On the right is a self-portrait, in the middle a pictograph from a men’s fashion magazine, and on the left a photograph of the cover of a collectable pulp fiction magazine.
Felonious unsettles traditional notions that we know a person from their portrait. The gesture of the quickly shaking hands, combined with the cropping of the body at the hips and shoulders, leaves the viewer to question the subject's identity.
Lure consists of a series of glossy, colour-saturated photographs, each showing a fishing lure. Designed to entice fish and fishermen alike, the names assigned to each lure by the manufacturer highlight the investment we make in the object’s allure.
Lucky is an intimate documentation of the intensity between photographer and subject. Influenced by the visual language of fashion photography, Newdick’s subject of identity is replaced with beauty and seduction.