Frank Mädler: After the aurora

Three distinct bodies of work arose from Frank Mädler’s time in Lima, Peru at the De Al Lado residency. Inspired by the tropical colors, minimal forms, and local materials, Mädler returned to Germany and began creating an array of photographs laden with distinct Latin iconography. References to cultural symbols and elements, such as the quipu and the immense fog that engulfs Lima’s coast, were reborn in Mädler’s darkroom, as he began to reflect on the colors, shapes, and sounds of Peru.

COLOR FIELDS
Cameraless Photographs

Releasing himself from the constraints of the camera and inspired by the simplicity of materials used in South American art, Mädler used natural materials from his surroundings to recreate the unforgettable landscapes of Peru. Mädler’s imagined vistas transport the viewer to expansive, tropical landscapes. Mädler references the roots of photography by projecting his materials onto the wall of his studio, rendering the entire room as his camera.

TAPE
Photograms

These simplified compositions recall the atmosphere and colors of Peru. The artist positions the tape to reference the iconic quipu or the symbol of the leaf, both central to the art of Andean culture